Education

Telling Stories / Getting Them Seen with Edward Boches

This project-based lab is designed for photographers who want to develop meaningful documentary work and actively explore how that work can circulate in the world beyond traditional gallery settings.

Meeting once a month over three sessions, the lab emphasizes long-form engagement, ethical storytelling, and real-world application. The spacing between sessions is intentional, allowing participants time to photograph, build relationships, and test strategies for sharing their work in public, community, or organizational contexts. Participants will develop or refine a documentary project

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The Language of Exposure: An In-Person Artist Talk with Timothy Hyunsoo Lee

Join interdisciplinary artist Timothy Hyunsoo Lee for an in-depth conversation about his exhibition Imprints, currently on view at the Griffin Museum. Lee will discuss how his cyanotype-based works reflect the complexities of migration, memory, and identity -- blending personal narrative with broader cultural themes. Drawing on his background in science, craft, and queer theory, Lee's practice explores image-making as a ritual of preservation and transformation. Don't miss this opportunity to hear directly from the artist about his process, influences, and the stories behind his evocative

The Poetry of the Street: Boston Photography Workshop with Jeff Larason

Discover the art of capturing fleeting street moments in this five-part workshop for photographers looking to hone their street photography skills. This course will help you sharpen your eye, build confidence, and capture the rhythm and poetry of everyday life in the city.

We'll begin with a classroom session exploring the storied history of street photography, highlighting influential photographers and introducing styles and techniques for working in public spaces. Participants will take part in two guided on-location photo sessions in Boston, putting these ideas into practice while

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The Poetry of the Street: Boston Photography Workshop with Jeff Larason

Discover the art of capturing fleeting street moments in this three-part workshop, designed for photographers of all levels -- from first-timers to seasoned shooters. Whether you're using a DSLR, mirrorless camera, or your iPhone, this course will sharpen your eye, boost your confidence, and help you capture the rhythm and beauty of life on the streets.

We'll begin with an engaging classroom session covering the rich history of street photography, highlighting iconic image-makers, and sharing practical tips and techniques. Next, we'll take a guided photo walk through Boston to put these

Then, Now, Next: The Evolution of A Yellow Rose Project (In-Person Panel)

Then, Now, Next: The Evolution of A Yellow Rose Project.An in-person conversation with artists from A Yellow Rose Project

The Griffin Museum is pleased to present an in-person panel discussion featuring artists from A Yellow Rose Project: Rania Matar, Lisa McCarty, Mary Beth Meehan, and Toni Pepe. The conversation will be moderated by Yellow Rose Project Co-Founders Meg Griffiths and Frances Jakubek.

This panel will explore the evolution of A Yellow Rose Project -- past, present, and future. The discussion will begin with the project's inception and the artists' initial responses to

Understanding the Black & White Negative with Nick Johnson

This critique-based workshop is for photographers who already develop black-and-white film and have access to a working darkroom. The class focuses on how exposure, development, and metering decisions affect the quality and flexibility of black-and-white negatives, and how those choices shape the final print. We will also focus on how to advance the students' print making skills.

Using student work as the primary teaching tool, the course combines group critique with targeted technical discussion. While some concepts draw from principles associated with the Zone System, this is not a Zone

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Writing About Your Photography with Elin Spring & Suzanne Révy (Online)

Why write about your photography? Aren't your pictures supposed to say it all? Ideally, but written cues can offer viewers helpful entry points into your work. If you exhibit your work, preparing artist statements, project statements and biographies are necessities. If you are applying for an artist residency, a grant, or a call for entry, writing eloquently will illuminate the intention and process that sparked your imagery. The bottom line is, effective communication elevates your work.

In our first session of the course, we explain best practices for starting and maintaining successful

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